One of the most prominent representatives of the new generation of Belgrade sculpture, Popovic combines aluminum and rubber in her works, which she then integrates with digital photography. In a thus created dual structure, a newly created sculpted body, in this case the human body in motion, conceals some kind of transparent cage, which in many of her works the artist develops into a separate world. In all these sculptures, this inner part represents a kind of ‘power’, a hidden driving force, which examines the boundaries between the organic and the mechanical movement.